And on last year's Orchestra of Bubbles, Ring shared billing with Ellen Allien, an artist with enough name recognition- and enough of a pop sensibility- to introduce his work to a lot of new headphones. The guy can chew up drums into alien machines, stretch strings out into hazy pillows, and stitch the resulting parts together in space like a dream it's made him a hero to that cognoscenti that's less interested in the actual dancefloor and more interested in the sophistication of the techniques behind it. In and around the few dutiful pop tracks on Walls, his third full-length, Ring has made one of the best electronic dream-pop records in a while, somewhere in the tradition of M83, Slowdive, Junior Boys, Schneider TM, and every other act to trip out on dense, blissy echoes and thinky, under-the-covers slowness- not the kind of album that asks for your attention, but the kind that seduces you into it.įor most of his career, Ring has been a favorite in a specialized niche: As a producer, he has a reputation as a digital-processing wizard. The weird thing is, though, that he seems a much more likely candidate when he's not trying. Whatever the secret is, Berlin's Sascha Ring, aka Apparat, seems to be aiming for it.
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